
News Dissector
Passions, Pieces and Polemics 1960-2000
Danny Schechter
Akashic Books
300 pp.
Available from Amazon
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In a recent New York Times article, Maureen Dowd
called to task the Bush administration's hands off
policy concerning the promulgation of
media conglomerates -- the effects of which, she writes,
have compelled the existing milieu into "...zooming
toward a collective to task the mentality, severely
limiting the voices that may be heard and muting
opposing views. A quarter of American culture will be
filtered through Murdoch's sensibility, a quarter
through AOL Time Warner, a quarter through Mickey
Mouse, a quarter through Viacom." Even as Dowd's
forewarnings of media hegemony may represent the most
eloquent of the lot, they are far from new; rather,
those honors could very well lead back to Paddy
Chayefsky's 1976 screenplay Network, a fictional
account of the television news media in which
disillusioned anchorman Howard Beale (Peter Finch)
makes the famous on-air announcement, "Go to the
window and shout as loud as you can: 'I'm mad as hell
and I'm not going to take it anymore!'".
As Beale stands as the satirical product of artistic
caricature, so Danny Schechter's News Dissector is the
real-life avatar of the broadcaster's activist
message. After spending his formative years at
Cornell, Schechter embarked on a forty-year career as
a television producer and journalist that brought him
in contact with activist luminary Malcolm X, and later
resulted in personal run ins with the FBI and CIA. The
book is a collection of progressive articles
he authored during this period (1960-2000), detailing
in insightful fashion his career-long fight for a more
pure media.
The reader is
introduced to Schechter as a seventeen-year old high
school student; the 1960 piece, "The Forum",
finds the youthful journalist denouncing liberal pleas
for a lowered voting age: "The age of legal maturity
in the U.S. is twenty-one. Lowering the age for voting
would eventually lead to lowering the age for jury
duty, right to make contracts, etc., and might upset
the country's social and economic order in an
undesirable way." Included for its sense of ironic
juxtaposition, the article represents an important
trope in a book that is otherwise about political
activism -- namely, Schechter's intellectual
coming-of-age.
Further articles reveal Schechter's involvement with
Globalvision, a New York based television and film
production company, and the varied conflicts he
encounters from an allegedly biased media
establishment. In the 1994 article "Hidden At PBS?", he
tells how, after he'd filmed a documentary on the "hidden
hand" (an unrecognized force behind massacres in South
Africa), outside powers managed to suppress the work:
"The next day the Los Angeles Times carried a report
that David Horovitz, a leftist turned neo-conservative
founder of the Committee on Media Integrity, "claimed
credit" for the muzzling of South Africa Now. We later
learned that he had been lobbying for KCET to persuade
the station to dump a wide range of PBS programming
that violated his notion of political correctness."
Even as the focus of the articles included relates
Schechter's inside experiences to an outside world,
some of the most meticulous works are his think
pieces -- longer polemics in which Schechter
scrutinizes some aspect of the journalistic
establishment. With "The Conspiracies of Silence: The
Media and the Kennedy Assassination", he investigates
the various forces taking hold, including a few pointed
attacks on CBS newsman Dan Rather, in a media
establishment that has hitherto turned a blind eye
toward the possibility of a government conspiracy:
"This has been compounded by the more recent merger of
news biz and show biz, which has led to a decline of
investigative reporting...part of media reluctance is
(also) based on the impression held by many skeptical
and critical journalists that the conspiracy crowd is
not credible because it accepts the views of kooks for
whom one plus one equals five."
While it would be impossible to question Schechter's
political zeal, one can't help but wonder if at times
blind romanticism clogs the message. The Danny
Schector of thirty years later revisits a number of
pieces and annotates them with questionable
recollections and stilted personal characterizations.
At one time, he writes, "I was an outsider who became an
insider only to turn myself into an outsider again"
and later discover "...I felt like Herbert Philbric...who
lived three lives -- one as a member of the communist
part, one as a Soviet Spy, and the third as a
counterspy for the FBI." Perhaps the largest
absurdity is related with unconscious irony in
"Draft Board", an article detailing how Schechter abused
his connections with the mayor to avoid the Vietnam
draft:
"Edelstein agreed to come, not doubt as favor for the
mayor of Detroit... The Board heard his short testimonial
and then asked me some perfunctory questions. Then, on
the spot, my 2-S was granted. I shouted. Mr. Edelstein
smiled knowingly."
However, in the end it's not Danny Schechter's
misplaced efforts that we keep in mind, but his
relentless pursuit of a true and just news media. The
concluding articles even recognize an issue Dowd
failed to broach -- to wit, what are we going to do
about it? With one of the book's concluding articles, "How
to Change the Media", the reader is even introduced to
a five-step program for better journalism. Apparently Howard Beale wasn't the only
one "mad as hell".
-- John Wolfe
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