
Skatedork
Issue #4
Fall/Winter 2000
$2.00 postpaid (free in skateshops)
Skatedork Website
Stephen Voss
221 Spring Ridge Dr.
Berkeley Heights, NJ 07922
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I have always found it amazing how skateboarding can take over your life.
I remember in my younger days, my friends and I would skate in the parking
lot during our lunch breaks. True, when we returned with bloody knees and
dirty clothes our manager would shake her head, but the simple truth was
that she didn't get the ecstacy of skating. The people who write
Skatedork, however, do get it, and this ‘zine is ample evidence of
that fact.
This particular issue is primarily filled with stories. These aren't
stories about how to skate, or something that happened while skating, but
instead stories about why people skate. It is fascinating that an
entire culture has developed around a plank and four wheels, and the
writings here illuminate what it is that brings these people together.
Some articles are personal recollections about what skating has meant to
the author, while others take a more fictional approach. A blend of both
prose and poetry keeps things varied, but the true variation comes in the
ideas of the value of skating. Sometimes, the appeal is the communal
aspect of the culture: the bond between friends and the drive to push one
another to ever greater heights (often quite literally). Other times, the
attraction is the solitary nature of the sport -- the fact that this is an
activity one can engage in without requiring anybody else. These
contradictory rationales are as much a part of skating as baggy shorts and
scabs, and they are crucial for communicating the importance this activity
has for so many people. As for the writing itself, while there are no
bewheeled Shakespeares lurking in these pages, the prose is as solid as
what you will find in most independent magazines. One point that deserves
note is that the 'zine's director, Steven Voss, manages to get some gender
diversity into his pages. By including Anna Schall's "Flying", he injects
a female presence into a sport typically dominated -- at least in its media presence -- by males.
A second key facet of skating culture are the politics of its
practitioners. These ideas are represented here by two pieces. One is the
standard "Man, cops suck" story, told through the reprinting of a St.
Louis Post-Dispatch article from 1991. The other, by Jeremiah, is
much more intriguing because it compares the relative values of skating as
opposed to auto travel. For example, by contrasting the two million
disabling auto injuries every year with the .049% of skaters injured,
Jeremiah calls into question every skater's mom's concern that her baby is
about to crack his skull open (although I have to admit that in my own
experience, that skateboard injury percentage is way too low). Additionally, the
article points out the obscene amount of pollution generated by autos.
This green tack is refreshing, since skaters are usually associated with
concrete jungles as opposed to green pastures.
Skate-art (primarily photos of people, you guessed it, riding their
boards) is sprinkled liberally throughout the pages, with the remainder
being filled by a gear review column and a "how-to" on cleaning your
bearings. The reviews are somewhat terse, but given the reviewer's first
statement -- "I don't know about product reviews" -- this shouldn't be
surprising.
All in all, this is a good rag for people who skate. It's unlikely to be
the entry point for the uninitiated, but serves those in the know well.
In fact, it was enough for me to pull my own board out of the closet and
give it a try after several years. Yes, I wiped out. No, I didn't bleed.
But if this 'zine can get someone who is quickly approaching middle age to
attempt to regain air, imagine what it can do in the hands of lithe youth.
-- Ron Davies
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