REVIEWS | FEATURES | DEPARTMENTS | BOOMBOX | PODCAST | MISC
SEARCH:
splendid > reviews > 1/26/2004
Jamie Barnes
Jamie Barnes
The Fallen Acrobat
Silber Media


Format Reviewed: CD

Soundclip: "The Fallen Acrobat"

Buy it at Insound!
Jamie Barnes recorded The Fallen Acrobat in his bedroom over the course of a year. Like all good bedroom music, it's sparsely lush, pretty and personal; Barnes played all the instruments, and his arrangements of acoustic guitar, hand drums, xylophone and various found sounds are well suited to his hushed, sweet vocals. Like really good bedroom music, The Fallen Acrobat hides a flair for storytelling and a sly, rather twisted sense of humor beneath its mild-mannered exterior. On the title track, for example, Barnes compares falling in love to tumbling from a high wire. After he's splattered himself all over the ground, the object of his affections will "Pick my limbs up / And put them in their sockets / Gather all the change up / That emptied from my pockets" before the vultures arrive to do what vultures do best. The "twisted love" theme shows up in various incarnations throughout the record; it's interesting to hear sentiments like "I don't want to be here / I'm bored to tears with this relationship" or "You want to drive a shiv through his head" expressed in the folkish way usually reserved for the kinder, gentler feelings.

Not all the tracks fall into the relationship-song category. "Games We Play on Roadtrips" is a distinctive treatment of the joys of car travel, comparing traffic noises to music ("It's like jazz out on the highway... it's like folk out in the country"); "Peaceful Protest" questions the divinity of religious symbols, asking "Do the pearly gates ever swing outward instead?".

Aside from "Anyway...", a hand-drum-driven Rivulets cover, most everything on The Fallen Acrobat has a similar slow, dreamy feeling. However, the songs are written and instrumented diversely enough to avoid sameyness. Barnes's guitar playing is excellent, and his plinky keyboard and flute lines show a well-developed ear for melody. It's obvious that some thought went into the production of this debut; it sounds better than many studio-recorded records I've heard. Barnes is only 21 years old -- look for even better things from him in the future.



REVIEWS:

12/31/2005:
Ladytron

Brian Cherney

Tomas Korber

UHF

The Rude Staircase

Dian Diaz

12/30/2005:
Helloween

PTI

The Crimes of Ambition

Karl Blau

Rosetta

Gary Noland

12/29/2005:
Tommy and The Terrors

Blacklisted

Bound Stems

Gary Noland

Carlo Actis Dato and Baldo Martinez

Quatuor Bozzoni

12/28/2005:
The Positions

Comet Gain

Breadfoot featuring Anna Phoebe

Secret Mommy

The Advantage

For a Decade of Sin: 11 Years of Bloodshot Records

12/27/2005:
The Slow Poisoner

Alan Sondheim & Ritual All 770

Davenport

Beaumont

Five Corners Jazz Quintet

Cameron McGill

Drunk With Joy

12/26/2005:
10 Ft. Ganja Plant

The Hospitals

Ross Beach

Big Star

The Goslings

Lair of the Minotaur

Koji Asano



Splendid looks great in Firefox. See for yourself.
Get Firefox!


FEATURES:
Grizzly Bear's Ed Droste probably didn't even know that he'd be the subject of Jennifer Kelly's final Splendid interview... but he is!



DEPARTMENTS:
That Damn List Thing
& - The World Beyond Your Stereo
Bookshelf
Pointless Questions
File Under
Pointless Questions
& - The World Beyond Your Stereo


ARCHIVE:
Read reviews from the last 30, 60, 90 or 120 days, or search our review archive.

It's back! Splendid's daily e-mail update will keep you up to date on our latest reviews and articles. Subscribe now!
Your e-mail address:    
REVIEWS | FEATURES | DEPARTMENTS | BOOMBOX | PODCAST | MISC
SEARCH:
All content ©1996 - 2008 Splendid WebMedia. Content may not be reproduced without the publisher's permission.