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Trey Gunn is undoubtedly a guitar master. Having played with artists as
varied as
the mythical King Crimson and industrial uber-drummer Bill Rieflin, Gunn's
innovative
approach can create some astonishing sounds. On this instrumental release,
he uses
his 8 and 12 string touch guitars to paint stylish fusion portraits.
Avoiding the
masturbatory overindulgence of Steve Vai and the self-conscious perfection
of Pat
Metheny, Gunn's trio comes off more like Miles Davis with African drums. Not
surprisingly, Gunn sheds traditional song structures, which is both a
blessing
and a curse. For a dedicated listener, the song movements are marvelous and
celebrate the calculated precision pioneered by King Crimson. Others,
however,
may find that the meandering songs leave them a bit lost and lack emotion.
If you are willing to put the effort into it, The Joy of Molybdenum
will
pay off in spades, but if you prefer something a little less cerebral,
you'd be
better off elsewhere.
| | -- Ron Davies | |
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