Splendid E-zine presents
 our weekly collection of shorter reviews
Blinker the Star,
Beth Singer,
Hilly Kristal,
March Records Summer Sampler
Split Lip Rayfield,
The Ecstasy of Saint Theresa,
Jean Derome,
Animal Chin
Jo & Joe & Friends,
Tilt,
Kevin Richard,
Grade
 |
Blinker the Star / August Everywhere / DreamWorks (CD)
While Blinker the Star's album boasts its share of upbeat rock tunes, the
prevailing mood is rather melancholy, wistful, ambivalent and perhaps
even a bit hallucinatory. Like dying leaves in August, the delicately
catchy music and poetic fragments of lyrics conjure up moody emotional
states having to do with change and loss. In addition to guitar, bass
and drums, the album features layered harmonies, piano, synthesizers and
strings. The music has a nice spontaneous feel to it, as if the tracks
were banged out on the spot. It's a bittersweet excursion
into deep feelings that most people would never feel comfortable talking
about. -- cc
|
 |
Beth Singer / Live While I Can / EJS (CD)
Splendid doesn't receive much country music for review, and
what we do get tends to have its roots in the punk ethos --
Bloodshot's
releases, for instance. Beth Singer, evidently an Oregonian country phenom and festival
mainstay at age seventeen, is a radio-friendly, crossover-friendly
"new country" artist. Her voice is great -- full, mature
and confident beyond her years. Beth doesn't appear to have had
anything to do with writing the songs on her album, and that's fine; other
than
showcasing her voice, they're largely unremarkable, though I'm pleased to
see that
Singer's father/manager has kept the tone of her material appropriate to what a seventeen year-old should be singing about. Singer's tastes are bound to broaden as her world expands,
and I'll be intrigued to see what direction her future takes. -- gz
|
 |
Hilly Kristal / Mad Mordechai / The Stereo Society (CD)
Hilly Kristal's bizarre music can only be described as post-disco meets
The Hee-Haw Christmas Album meets Elmopalooza. On Mad
Mordechai Kristal, who's better known as the owner of the seminal rock
club CBGB's, displays a taste for camp that cannot be sated. Kristal's deep
(really deep) bass voice twangs through a set of novelty songs
reminiscent of "Does Your Chewing Gum Loose Its Flavor?" or "The Monster
Mash". Running anchor is "Mud", a little ditty about a dejected pig who
gets cologne for his birthday rather than mud. I've never really liked
novelty songs and I like novelty albums even less so I'm definitely biased
when I say that Mad Mordechai doesn't do it for me. It might work
great as a party favor for your kid's next birthday party though! -- nw
|
 |
Various Artists / March Records Summer Sampler / March (CD)
This is a Summer Sampler in the truest sense of the word -- filled
with lighthearted, innocent pop tunes designed for warm weather,
swimming pools and falling madly, passionately in love. Quintessential
summer tunes, in other words -- the perfect soundtrack for skiving off
work and legging it beachward, or just for your 30 minutes of freedom
from the cubicle police. It's designed to be played loud and remembered --
in spirit if not in detail -- for the rest of your life. Packed with such
worthies as The Cherry Orchard, Godzuki, Girlfrendo, Cinnamon and
Kleenex Girl Wonder, this budget-priced sampler is a better value for
money than a movie, an amusement park or even a day at the beach. -- gz
|
 |
Split Lip Rayfield / In the Mud / Bloodshot (CD)
A punky mixture of bluegrass, country and backwoods mischief, this quartet
sings about the good stuff, bad luck, tough drinkin' 'n' dogs, yet plays
like they've drank a bunch of moonshine and need to hightail through their
tunes at 100mph. While not the first band to play a thrashy form of
bluegrass (check out The Bad Livers or Killbilly), the members of Split Lip
Rayfield are just as exceptionally gifted, smart-aleckly good humored -- and
most importantly, they give a pleasureable listening experience. Lock up yer
daughters, head to hills, and keep yer eyes peeled for them Rayfield types,
cuz the bad moon's on the rise again! -- am
|
 |
The Ecstasy of Saint Theresa / Susurrate / Clairecords (CD)
Susurrate has been out of print for years. To shoegazer types,
it's a bit of a classic -- blurred, thundering guitars, muffled jackhammer
beats,
waves of synthesized white noise and solemn male and female vocals, heavily
laden with hollow, stony reverb. Assuming you don't mind your music sounding
as if it came from the bottom of a deep Czechoslovakian cistern, you'll
love it --
played at high volume, it must be the aural equivalent of standing in a
wind tunnel.
Others may have taken the genre farther, or in more inventive directions, but
Susurrate is as dynamic now as it was at the beginning of the decade,
and as perfect an example of its genre as anyone could hope to
acquire. -- gz
|
 |
Jean Derome / Strand, Under the Dark Cloth / Ambiances magnétiques
(CD)
Strand, Under the Dark Cloth is the soundtrack to John Walker's 1988
film about photographer Paul Strand. Derome succeeds in imitating Strand's
stark, black and white artwork by using a limited orchestral palette and
simple, repetitive melodies. Also the soundtrack is mixed in mono, which
adds to its less-than-three-dimensional-ness. Highlights of the CD include
"Nouveau-Mexique" which combines a folk-like guitar with a sultry alto
voice, flügelhorn and muted trumpets to create an intriguing sonic
landscape. I also like the more rhythmic "Hébrides" which draws from
different folk-influences to generate a subdued yet catchy dance piece. -- nw
|
 |
Animal Chin / 20 Minutes from Right Now / Fueled By Ramen (CD)
I was thoroughly prepared to dislike, if not despise, Animal Chin
for the faux ska nonsense they displayed on "When All The Chips
Are Down", the disc's starter. Despite the fact that they're a significant part of
The Stereo's ancestry, despite the promisingly ballsy punk rock
chops displayed on the rest of the disc (and on "Heir to the X
Fortune", in particular), I was determined to draw a line in the sand
and let no more diluted third-wave ska get past me unscathed.
And then I heard "Have You Seen Him" -- a blazing ska/polka hybrid
instrumental enlivened by a thick slathering of electric organ -- and
my resistance sort of petered out. "Have You Seen Him" is one of
those "gotta love it" tracks...or, in this case, one of those "gotta forgive a few profoundly crappy moments elsewhere on the disc because of it" tracks. -- gz
|
 |
Jo & Joe & Friends / Mountain View Sessions Vol. 5: OUTjams / Jo & Joe Music (CD)
Bay Area improvisors Jo & Joe have teamed up with some friends and cranked out
15 tracks of fun, inventive and engaging music. They've got a whole mess of
instruments to play with (guitars, percussion, bass, keyboards, sax, sequencers, vocals),
and they use them to create jazz-tinged jams, most of which have a beat of one
sort or another. At times they seem to head off into free-improv land, while at other times
they seem to be setting up grooves over which the group improvises. My only
complaint about the disc is that some of the spoken vocals are distracting and
goofy (not in the best sense). Otherwise, this is a fine collection of improvised
instrumental music. -- ib
|
 |
Weathering the genre storms of the choppy 90's, Tilt's latest, Viewers
Like You, is the band's strongest document of vocalist Cinder Block's
scratchy vocals and incensed lyrical outlook on life. The band does
a superb job backing Cinder with varying tempos, and guitar work that has
more to it than three simple chords. Analyzing television programming, the
cheating of death and suicidal actions in a world of pro-life, Tilt
presents its messages through an unconventional application of the punk
doctrine. -- am
|
 |
There's some nice guitar work on these high energy instrumental rock tunes, and they're all energetic and alive. Some of the music is a little heavy on the
keyboards and electronic sounding drum samples (not in the techno sense),
and a few of the tracks sound a bit too much like TV theme songs -- Magnum P.I. comes to mind. Still, with more live musicians, or maybe some better keyboard sounds, this disc could be a lot of fun. -- ib
|
 |
Grade / Under the Radar / Victory (CD)
Showcasing an explosive delivery that teeters from gasping rages to
melodic melodies, vocalist Kyle Bishop leads this sometimes hardcore,
sometimes pop-punk quintet through eleven testosterone-charged tracks.
Invoking a type of "thinking man's punk", tunes like "The Worst Lies
Are Told in Silence" and "The Inefficiency of Emotion" have a stark
contrast between their stoic, rational sounding titles and the simmering
anger that seethes from them. A disorienting emotional display of talent,
Under the Radar flows smoothly from start to finish, easily making
the grade on this musical report card. -- am
|
gz - george zahora | nw - noah wane | am - andrew magilow | ib - irving bellemead | cc - craig conley
home |
reviews | boombox | features | ten |
misc
|