Live and direct, Call and Response are comin’ at ya straight outta
Athens. And while that statement might not carry as much weight (or
weapons) as, say, "straight outta Compton", it still lets you know more
or less who you're dealing with. However, since C.A.R. aren't actually from Athens -- they just recorded there -- their self-titled debut is unlike
anything else you've heard from the tiny Bohemian musical hotbed.
As you may have guessed, Call and Response are at least a bastard
branch of the Elephant 6 collective. While the band themselves are not
members (at least to the best of my knowledge), their debut was
produced by the infamous and notorious Bill Doss and Of
Montrealer/all around nice guy Derek Almsted. It also features a
host of cameo appearances from the likes of Heather McIntosh, Kevin
Barnes, Jamey Huggins and the Athens Insect Orchestra. However, as I
said before, this album sounds like nothing you’d expect to hear from
those fine folks. Instead, in just over 40 minutes, Call and Response manage to
sound a little bit like every band you’ve loved in the last 30 years.
Opener "Blowin’ Bubbles" rides a synthetic Kool & the Gang groove over a
wall of frothy pop and delicious boy-girl vocals that invite you to
"listen to their bubble go pop". "Nightlife" sounds, rather implausibly,
like the Bay City Rollers dosed on Xanax and fronted by Sarah
Cracknell. The country-tinged "California Floating in Space", on the other hand, is
simply beautiful, combining swells of fat brass with delicate drumming
and Simone Rubi’s positively Sadier-like vocals. Other gems in this
mystical treasure trove include the sugarcoated funk of "The Fool," the
gangland harmonies of "Map" and the Parliament inspired boogie of
"Lightbulb".
Call and Response are unique in their ability to take the cheese of the
seventies and filter it through positively forward-looking eyes. That rare
ability, coupled with the wealth of talent on display here,
makes this group one to watch in the coming years. And remember, you
heard it here first.