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it's winter here
The Jim Yoshii Pile-Up
It's Winter Here
Absolutely Kosher

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Falling into line behind "quiet-loud-quiet" torchbearers Ida, the Jim Yoshii Pile-Up marks expression on the sonic bell-curve of artistry -- I think there's a metaphor in there, but you have to ask yourself if it really matters. After wrapping their only previous album in emotive ribbon, the band offers It's Winter Here, a transcendently lush record that's as stellar in its encapsulating progressions as it is in its aberrant staccato ruptures.

Math-like interludes open most tracks, pressuring as many as three guitars to create a lasting atmosphere, while vocalist Paul Gozenbach's whispering din of a roar asserts its presence along the sluggish melodic crescendo. The key here is Gozenbach's mercurial ability to drag the listener into the moment's emotional urgency in the seconds prior to the crescendo-break -- after which, any further effusive splendor encodes itself in the biological dichotomy of neural shit. Overlooking a few minor slights of conformity, the band remains in competent apprehension concerning this 38th parallel.

While the album ostensibly peaks at its many vocal fermatas, the over-arching emphasis on guitars can't be ignored; exemplified throughout the album, this instrumental concentration first surfaces on the opening track, "Jetzt Mit Iodine", as the vocals fade away mid-song and a broad collection of guitars are tracked over each other in the number's slowly developing tempo. In this sense the Pile-Up bear more resemblance to a minimalist take on the Godspeed You Black Emperor schtick than they resemble anything Tsunami might have recorded. At times the melody is consciously convoluted, juxtaposing two guitarists blessed with the same verve for structured songcraft, creating a sometimes sonorous, sometimes indulgent bit of technical wankery.

Those criticisms aside, the disc is a fully ship-shape lo-fi recording (if you can call a record lo-fi when it's as precise as It's Winter Here), with a practiced approach to songwriting that retains its visceral tone while still holding on to the listener's conscious awareness.

-- John Wolfe
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