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high seas
Trailer Bride
High Seas
Bloodshot

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With equal appreciation for sea shanties and twanging banjos, Trailer Bride's third album draws from a full well of American music. Country and bluegrass provide a solid foundation for sharp portraits of drifters and outlaws, broken hearts and hopeful dreams, but there's nothing formulaic about this roots music. High Seas has more in common with the Southern Gothic sensibility of the Geraldine Fibbers than many of Blooshot Records' other neo-traditional country artists. The band's spotlight shines on singer/lyricist Melissa Swingle, who also plays guitar, banjo, saw and harmonica, backed ably by "the boys". Swingle's conversational phrasing belies a whispering tonal darkness as she reels off lyrics that are equal parts humor and sentiment.

"Jesco" opens the album with a tale of Jesco White, an "outlaw ladies' man" who just wants to dance. "The Ghost of Mae West" turns up to dispense some advice, while "Run Rosie Run" gallops through a storm warning. The narrator of "Under Your Spell" finds herself charmed in love "like a sailor that's heard a mermaid call." Traditional instrumentation doesn't constrain the band; effects pedals and layered guitar, plus that creepy saw, add distinctive touches to an unpredictable sound. The short songs are uniformly strong; if anything, they're too short, leaving us wondering what happens to their characters when the lyrical storytelling ends.

Only the instrumental "Drift in D" seems extraneous, mainly because Swingle's lyrics are the record's real high point. Memorable lines abound, from the humor of "Itchin' for You"'s "It's like poison ivy under polyester pants" to "Thankful Dirt"'s enigmatic "I know dust is just thankful dirt/And your love is just thankful lust". The stately "Barcelona" nicks a line from Bob Dylan while lamenting the "last soul I'll ever love/The last love I'll ever lose". Straightforward without being simplistic, Swingle includes all of the right words and nothing more. While Swingle sings "Without love, every gesture is hollow" on the album-closing "Bird Feet Feelings", the carefully crafted High Seas suffers no such fate.

-- Ryan Tranquilla
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