...Frenzal Rhomb...Hum...Ninos con Bombas...Spacetime Continuum...
...Slipstream...Steven Dotlip...New Rob Robbies...Finley Quaye...







Frenzal Rhomb / Once a jolly swagman, always a jolly swagman / Liberation Records (CD)

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Liberation Records presents a 25 track compilation from the first three Frenzal Rhomb releases. Known throughout Australia for their ridiculous antics on and off the stage, Frenzal also has perfected the smooth delivery of pop-punk-metal tinged tunes. Imagine a slightly harder NOFX (as exemplified on "Genius") or a wittier Hi-Standard. Actually, they're quite funny too, (Take "Why Aren't You Dead? as a cue!) dousing their fans with that unique brand of Aussie yuck-yucks. Punk fans should check out this overseas equivalent to many on the Fat Wreck roster. -- am


Hum / Downward is Heavenward / RCA (CD)

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Hum remain the missing link between shoegazer pop and that Seattle stuff -- introspective vocals backed not by fragile, squalling guitars, but by a raging stormfront of bass-heavy sonic intensity. Seriously, if you want to get almost anyone, music critic or not, to use the phrase "wall of sound", sit 'em down in front of the speakers and play "Isle of the Cheetah", "Afternoon With the Axolotls" or almost any other, and voila! I'd love any band that'd come up with a title like "Afternoon With the Axolotls", and since Hum hail from Champaign, IL, where I've whiled away many a happy hour scouring the record shops, I'm honor-bound to endorse this. -- gz


Ninos con bombas / De tiempo en el momento de la explosion / Grita! (CD)

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When you think of Spanish language punk rock groups who do you think of? I'll have to admit that until De tiempo en el memento de la explosion came to my attention I would have drawn a blank when confronted with such a question. Now I can knowingly shout out "Ninos con bombas!" And it's not just punk rock either, it's punk rock-plus! Some tunes on this disc are straight-ahead punk/hardcore but most contain Latin references (flamenco, salsa) and ska references in a way that is reminiscent of Sublime. Here's to music with guts that's thoughtful and well-executed too. -- nw


Spacetime Continuum / Realtime EP / Astralwerks (CD)

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This import EP gives us "Neoteric", tech whiz Jonah Sharp's first brush with real vocals, courtesy of Japanese rapper MC Girau. It's a funky, bouncy sort of track that's danceable without being overpowering. If you want overpowering, check out the Strange Attractor Mix, driven by a much more powerful beat and keyboard rhythm (There's nothing wrong with it -- it's just "bigger" than the original). "Microjam" is smooth and jazzy, while the live version of "Pressure" proves that Jonah can deliver the goods outside the studio. "Freelon", the import-only track that closes the disc, is a longer, mid-paced ambient-techno concoction that delivers a blissful listening experience. I can't wait for the album. -- gz


Slipstream / Be Groovy Or Leave / Primary Records (CD)

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From folksy ballads like "Scars" to C&W-tinged rockers like "Dancing Mood" to bubblegummy pop tunes like "You'll Never Catch Me Out Again", you'll find an eclectic blend of indie rock on Be Groovy Or Leave. You'll hear a little bit of the Lilys, you'll hear a little bit of Blind Melon, you'll hear a little bit of Simon and Garfunkel. It's just that kind of album! -- nw


Steven Dotlip / Steven Dotlip / IMMP (CASS)

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Dotlip's got a way with found sounds and handmade instruments. With tracks like "Mutation", "Intrilligator" and "Impugnent Square", he creates an environment that's sometimes organic and melodic, and at other times artificial and disquietingly disharmonious. It's intriguing to try to figure out the pedigree of some of his sounds, and impressive to hear him make them jump through sonic hoops. Occasionally Dotlip's compositions are hindered by the limitations of the cassette medium, but in general they reveal him to be a promising artist with a talent for building a solid structure from disparate materials. -- gz


New Rob Robbies / ...Wilson's Revenge / Mind of a Child (CD)

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"...Wilson’s Revenge" blends a whimsical jangly guitar pop sound with a slightly more hurried and combustible Slintesque sound. This CD takes a few listens to thoroughly comprehend and digest, but it rewards with some great tunes such as the angularly inflected "Captain" and lively "Tough Nuts", which touches base on a sensitive "regional" issue. The nine songs are very similar stylistically, but easily worthy of your fiendish CD buying/accumulating habits. -- am


Finley Quaye / Maverick A Strike / 550 Music (CD)

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How much you'll like Maverick a Strike depends upon what you expect from it. If you're looking for a stripped-down, reverb-intensive work of roots-inspired reggae with psychedelic rock underpinnings, you'll probably be thoroughly pleased. But if you're high on the Lenny-Kravitz-does-reggae sound that "Sunday Shining" is spreading across the radio waves, you might be a bit disappointed -- there's nothing else here that's quite on that level, though "Ride On and Turn the People On" and the calypso-ish "Your Love Gets Sweeter" will keep you from dozing off. "Supreme I Preme" shouldn't be missed, either. -- gz



es - elliot s. | nw - noah wane | gz - george zahora | am - andrew magilow



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