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Week of May 1, 2000

[the discovery of a world inside the moone]
The Apples in Stereo / The Discovery of a World Inside the Moone / spinART

As he flew onward, the butterfly reminisced about the first time he had heard The Discovery of a World Inside the Moone. He remembered its Beatles-esque melodies, free-flowing harmonies and fuzzy guitar blasts. He thought about how different its crunchy chords were from the Apples’ previous two full lengths, which for the most part contained slice after slice of clean, yet insanely catchy and melodic Beach Boys-inspired pop...more»
iconFEATURED ON THE BOOMBOX!

[cash audio]
Cash Audio / Green Bullet / Touch and Go

Green Bullet is one ferocious howler of an album -- one of those rare discs that sounds loud at any volume. Humphrey dishes out the riffs while alternating between strangulated madman howls and twisted Elvis crooning. Giampino batters the skins into whimpering submission and Passow rips out the sort of down-and-dirty harp runs that'll send you off in search of whiskey...more»
iconFEATURED ON THE BOOMBOX!

[synesthesia]
Chicago Underground Duo / Synesthesia / Thrill Jockey

I swear this is not a normal Thrill Jockey release. There are no sections -- not even in the lengthy "Blue Sparks From Her..." -- where the music is appreciated more for its craftsmanship or intellectual rigor than for the emotions the music evokes. There are emotions swirling through pieces like "Red Gradations" that would make any artist, from Sonny Rollins to Dot Allison, jealous...more»

[2 Little Birds]
Christine Fellows / 2 Little Birds / Endearing

Fellows sings in a rough alto reminiscent of Edie Brickell, but instead of surrounding herself with bohemian philosophy she dresses herself in dark folk. Scattered minor-key piano lines and quietly-plucked guitar add to the majestic space of the songs, while sparingly-used drumming serves to underscore the emotions rather than propel the songs...more»

[based on a true story]
Seven Storey Mountain / Based on a True Story / Deep Elm

What's immediately apparent and remarkably impressive about Based On a True Story is its crafty application of various tempo changes. The opening track, "So Soon," throttles a steady stream of punk energy into the guitar, bass and drums, then discharges it as a hook ridden, masterful display of fear inducing, controlled mayhem...more»

[the metamorphosis]
Some of the Quiet / The Metamorphosis / IvyStone

The tracks range from pure mood ("Shining in the Wet") to still-subdued-but-almost-pop songs like "Quarter Age", the latter of which could pass for an Erasure tune played at half-speed if not for its deadly earnest angst. It's actually my favorite song here, specifically because of this pop/angst duality...more»

[four hours light]
Starmarket / Four Hours Light / Deep Elm

The most powerful weapon in Starmarket's arsenal is vocalist Frederik Brandstrom's tendency to sound like a nasally-impaired Bob Mould. This might not sound like much, but by invoking Sugar (as opposed to Hüsker Dü), Brandstrom seems like more than just another skinny kid with a guitar...more»

[broken by whispers]
Trembling Blue Stars / Broken By Whispers / Sub Pop

On each of the three full-length TBS records, a song deals with the broken heart Annemari has given Bobby. That Annemari continues to work with Bobby seems a bit weird, but I think it means the songs are less autobiographical than fans often assume: his lyrics should not be seen as ongoing diaries, but as tales of an area he has mulled over for the sake of his songs...more»

[two ton boa]
Two Ton Boa / Self-Titled / Kill Rock Stars

Trashier than Garbage, Sherry Fraser, the singer/songwriter/bassist behind Two Ton Boa's freakshow grunge act, sports a bleach job with lots of roots, a ton of black eyeliner and a sultry pout. She has a lighthearted and playful lyrical gift. On top of that she has a killer voice -- scary, sweet and mysterious, all at the same time...more»

[can't watch yourself dance]
Esther Valentine / Can't Watch Yourself Dance / MadamRex, Ink

The disc's most intriguing songs are its bookends. The title track hints at folk-classical structure, with a sprightly flute melody front and center. Fans of Loreena McKennitt will most likely be drawn to Valentine on the strength of "Can't Watch Yourself Dance," and the traditional multi-part ayre "If My Complaints Your Passions Move" will close the deal...more»

[at a glance]
And this week in At A Glance...
Clock Strikes Thirteen, Holly Golightly, Gladshot, Paris@2AM, The Subliminals, Spinanes, Sodastream, Dora Flood, Songs for the Jet Set 2000, Dynomite D, The Plan, Redefine the Rockstar Vol. II, Liberty 37, Parasol's Sweet 16, Vol. I, Craig Bennett, Flupejac, Call Florence Pow, Red Elephant, The D4, Melophobia

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