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Lisa Sokolov / Lazy Afternoon / Laughing Horse Records
(CD)
The vibe I get from Lazy Afternoon is that Lisa Sokolov is very serious about her music. The downtown NY jazz chanteuse clearly invests a lot of energy into her interpretations, as if she wants to milk every possible nuance out of every word she sings. This makes for a highly mannered, stylized approach to classics such as
"Sunnyside of the Street", "On a Clear Day" and "Over the Rainbow" and even
less likely suspects like the traditional Shaker tune "Simple Gifts".
Unfortunately it also makes for lethargy as this syrupy rubato drips from your stereo speakers. I tip my hat to Ms. Sokolov and her dedication to what I can only term as experimental interpretation, but I also acknowledge that it takes a lot of energy to
listen to and decode this stuff...listener beware! -- nw
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Marc Olsen / didn't ever...hasn't since / My Own Planet (CD)
This is Olsen's second solo disc, and his first time recording with
a full band, so I gather that Didn't ever...hasn't since has a
fuller sound than his previous work. It's low-key guitar pop with
psychedelic and
folky overtones, and that's pretty much all you need to know. Although
the disc is peppered with catchy micro-moments (like the chainsaw-style
guitar lick on "Aspirin"), most of it floats past in a pleasant but anonymous
cough-medicine blur. If I was sacked out on the couch listening to
didn't ever...
and someone came in and asked me what I was listening to, there's a good
chance
I'd have to hunt down the CD case before I could answer. -- gz
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Travis Pickle / Travis Pickle / Travis Pickle (CD)
Hey, Travis Pickle! Alright! I like this band. Fun lyrics. Catchy melodies. Attractive band members. Somehow they're pre-familiar, which is perhaps their most obvious liability. There's nothing particularly distinctive about these Travis Pickle people, unless writing a CD full of alt-rockish songs sung by a girl and a boy with some neat weirdo production noodling thrown in is distinctive. Hmm, well maybe it is. Anyway, it's good stuff. -- ib
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DJ Cheb i Sabbah / Shri Durga / Six Degrees (CD)
It's probably wrong to put DJ Cheb i Sabbah in the same boat with
hip-hop and electronica spin-doctors. Cheb i Sabbah's angle, the
fusion of Hindustani ragas with "DJ science", rather unexpectedly
favors the raga. You won't find tablas and sitars looped over throbbing
techno beats here, but hypnotic Indian tunes reinforced with bass, samples
and suitably eastern beats. In other words, the process is somewhat
inside-out by Western standards -- elements of our culture have
been co-opted and adapted to fit DJ Cheb i Sabbah's worldview. Lovers
of Muslimgauze and Bill Laswell (who plays bass on several cuts) should
find Shri Durga pleasantly intriguing. -- gz
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Pledge Drive / I Gave at the Office / Pledge Drive (CD)
As well as having some of the coolest packaging I've seen in a while, Pledge
Drive blends a bit of British folk elegance, dulcimer and recorder
appearances and primordial guitar into a jagged pop mixture that's
tastefully done, and, well, pretty damn good too! Rebecca Marculescu's
gorgeous voice carries each note with admirable fluidity as the wide
variety of unique instruments provides for some refreshingly remarkable
entertainment. Think of the Pogues feverishly mating with Boiled in
Lead, and you'll either be sick to your stomach or anxiously rolling up your sleeves in anticipation of more Pledge Drive! -- am
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Pizzicato 5 / Playboy & Playgirl / Matador (CD)
Tepid, that's what I'd call it. Given the current mini Japanese Invasion
spearheaded by Emperor Norton, Minty Fresh and, yes, Matador, P5's
sound is beginning to sound...well, played out. Despite the timelessly
retro-hip design and Steed/Peel elegance, we've heard all of this before.
"New Song", for instance, doesn't sound like one at all. Don't get the
wrong idea -- if the Nipponese Pop section of your record collection
is woefully ill-stocked, Playboy & Playgirl will fill it nicely.
It's only if you have several other P5 albums that you'll find yourself
asking "don't I already own this?" -- gz
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Chase Ave. / Chase Ave. / Chase Ave. (CD)
There's one thing that's absolutely clear after checking out a few
tunes by Chase Ave.: singer Jason Akana has absolutely no qualms about
wearing his feelings on his sleeve. While there's barely a trace of
three-chord song structures here, the complexity of some of the tunes results in
an awkward, off-kilter listening experience. However,
"Crosses" and "Hideaway" have this Los Angeles trio balancing distinct
vocal inflections with slick, catchy rhythms, revealing some impressive
talent that should be further exploited. -- am
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Mogwai / Come On Die Young / Matador (CD)
The Glaswegian indie darlings make their Matador debut, presenting
the masses with another mind-bending melange of placid-yet-intense,
mostly instrumental guitar meditations. Listening to Mogwai is sort
of like being outside on one of those summer nights when it's obvious
that a massive thunderstorm is seconds away -- the air feels swollen
and oppressive and all the hair on your neck stands up and you know
something's going to happen soon but you're not sure what...
Still, if you don't live to agree with rock critics, you might actually
find Come On Die Young to be a bit dull and repetitive. Shame on you for having an opinion! -- gz
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