...Freshmakers...The Kiss Offs...Strung Out...Brandtson...[-|>O-]...
...Global Communication...Astrocat...Negativland...Cybershadow...







Freshmakers / Like Hell / Stupid Gaijin (Cassette)

The Freshmakers peddle a catchy, melody-ridden brand of Texas power-punk. Like Hell is a six-song delight. It's confident and well-produced, I only wish it were a CD. My favorite track is "July ('91-'95)". It has a Social Distortion kind of angst to it and a quick tempo to keep it from getting tedious. The tasty rhythmic stops and starts are executed handily and indicate the Freshmakers' musical prowess. And the melodies! They'll be bouncing around my mind for a year! Keep your eyes on these guys -- I have a feeling you'll be hearing more of them. -- nw


The Kiss Offs / How to Deliver the Kiss That Kills / Peek-a-Boo Records (7")

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There's something about the ambience of vinyl that's essential to this three-song single, which blends the punk-rock dischord of mid-period Sonic Youth and the campiness (and male/female vocals) of the B-52s. "Bottle Blond" is grade-A punk, full of dischord and feedback and arch vocals, while "The Kiss That Kills" slams its chorus-mantra home with highly affected repetition. "Sister, Those Cigarettes" isn't bad, either, so the Kiss-Offs are 3 for 3. -- gz


Strung Out / Twisted by Design / Fat Wreck Chords (CD)

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These nuvo-pop-hardcore punks come from Ventura County,CA. Their third long player boasts an impressive production quality that helps to showcase the fine songwriting on such tunes as "Too Close to See," "Mind of My Own" and "Reason to Belive." Heavily overdriven guitar seems to be the vehicle for expression while pungent political and social lyrics are behind the wheel. Still affiliated sound-wise to other Fat Wreck bands, Strung Out nonetheless manages to maintain a unique individuality, as their songs are deeply entrenched in hooks and choruses that are puissant and have staying power! -- am


Brandtson / Letterbox / Deep Elm (CD)

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Everybody needs some good, loud, gritty power pop in their lives, so if you need an excuse to go out and buy Letterbox, that's it. But you don't actually need any excuse to buy it. It's a little bit emo, a little bit crunchy post-so-called-Seattle-sound, and recorded so crisply that you can actually feel the bass strings go "thrummmmmm". Brandtson aren't doing anything you've never heard before, but you'll be impressed at how well they do it. -- gz


[-|>O-] / Electromagnetic Pulse / CTD (Cassette)

Electromagnetic Pulse is somber tribal-trance-type stuff. It's the type of thing you pop in your cassette player to contemplate the emptiness of outer space. It's haunting. I like the dark age aspect of it, it reminds me of a group like King Chubby -- foreboding yet strangely fascinating -- it could soothe you to sleep and then give you nightmares. Think of it as incidental music for a Lovecraftian voyage into some forbidden dimension. -- nw


Global Communication / Pentamerous Metamorphosis / Dedicated (CD)

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How familiar are you with Chapterhouse's "Blood Music"? Unless you're a massive, obsessive Chapterhouse fan and have literally memorized every note, you're probably not going to recognize much in this series of "retranslations". The five pieces here, each over ten minutes long, distend the original works into sprawling rivers of ambience. Gentle, sustained keyboard drones are the watchword, along with lazy melodies and the occasional guitarish bit that almost forces you to say "Ah, a Chapterhouse bit". Recommended as good relaxation music, or as a way to frustrate annoying Chapterhouse fans who won't leave you alone. -- gz


Astrocat / Pathways EP /
Defective Records (12")

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Chicago's Astrocat tears up the turntable stylus with this four track 12" EP. Of significant interest is "Walking in the Sand" which pounds out a bouncy, jungle beat with heavy, reverberating bass. Likewise are the B-sides, which are effective mind numbing tools, as their intoxicating and trance inducing repetitiveness swiftly intercept and quash other sensory stimuli. Aptly suitable for DJ's working the floor or your own listening pleasure in your room. -- am


Negativland / Happy Hero / Seeland (CD)

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To really understand all of this EP, it helps to have heard some of Negativland's Over the Edge releases. If you haven't, the references to Mertz (a little brain-shaped tablet that helps you make up your mind -- a mainstay of recent Negativland releases) may go over your head. That doesn't mean you won't appreciate the work that went into restructured audio presentations like "Jolly Green Giant" and (the now slightly dated) "O.J. and His Personal Trainer Kill Ron And Nicole", which mixes parts of the Juice's exercise video with sounds of violence. And you'll probably get into the cynicism of the dual-standard-culture-bashing "Happy Hero", too. Just remember, there's a whole world of Negativland stuff out there, and this is just the tip of the iceberg. -- gz


Cybershadow / Social Conditioning / Flaming Fish Records (CD)

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By distorting the vocals and cranking up the bass, these five remixes and three "B-sides" effectively hide the limitations of Cybershadow. The result is an assortment of dence, menacing industrial tracks reminiscent of Skinny Puppy circa 1988. There are some concessions to more modern dancefloors -- breakbeats appear here and there, and there's a sort of a trip-hop mix at one point -- but they're only window-dressing, as the EP nails its chosen style perfectly with or without the trappings of trendiness. -- gz



es - elliot s. | nw - noah wane | gz - george zahora | am - andrew magilow



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