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Listen to "Wish", the first single from Blindshark's debut CD, and
you might think you were hearing a new Cure song -- at least at the
beginning. When the vocals kick in, the similarities decrease. This in
no sadsack Robert Smith, but a more jolly character -- perhaps someone from
Lightning Seeds, perhaps a male-led version of Frente or even a jovial
Christmas elf. I think "Still" is actually a better track. It's a
gorgeous little love song constructed of forlorn lyrics, an acoustic guitar
and pulsating drumming on a guitar case. Its simplicity adds much to
its beauty, and the fact that it succeeds despite sparse orchestration says
much for Blindshark's songwriting talents. The opening track, "Picador",
is more electronic, drawing from Depeche Mode, or perhaps A Flock of
Seagulls -- particularly in the sinking guitar riff that launches the
song. Throughout Widescreen, in fact, there's a subtle new wave flavor.
You'll find it in the gently buzzy synth lines and the repetitive melodic
figures. "The End" starts out slowly (and oddly enough it actually reminds me
a bit of Aerosmith, but only briefly), but if you're not hooked by the
time the chorus hits you're simply not human. If I had to vote for a
favorite song, this would be it. Other notable tracks are "I Think I'm
Falling" and "We Are Young", both of which subtly remind me of XTC. If a
good guitar-pop record is still worth anything these days,
Widescreen deserves some attention.
| | -- Noah Wane | |
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