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I love a mystery, don't you? Kindercore Records is counting on our
collective mystery-love to fuel sales of The Frosted Ambassador.
Who is the Ambassador? Why is he Frosted? Was this album really found on a beige cassette stuck in the toe of a resale
shop shoe? Probably not, but it certainly explains all those Warner Brothers
and A&M interns we've seen rummaging through the shoes at the Salvation
Army shop lately. Music-wise, The Frosted Ambassador yields twelve
tracks of quirky, instrumentally diverse pop psychedelia that teeters
constantly
on the edge of toyroom chaos -- the sort of disc you'd want to examine
closely
for Elephant 6 logos and familiar names, though neither of these clues are present. To sustain the delightful aura
of mystery,
none of the songs are named; you, the listener, are provided with blank
lines on which
to fill in your own, no doubt deeply personal, song titles. While clever,
this makes
it rather difficult to discuss the individual songs without calling them
"track 5" or "the
eleventh one", so when I tell you how much I enjoyed the lighthearted
ukelele melody
on "The King of the Toads Drives an Orange Toyota", or how I couldn't help
but tap
my feet to the ramshackle jangly bliss of "Shaving the Ocelot (on
Wednesday)", I
trust you'll appreciate the fact that my willful act of obfuscation is
performed entirely
in the spirit of the album. The Frosted Ambassador's other major
strength is
that it never wallows in its musical conceits; despite alternating between
somber
senility and funhouse frivolity, these twelve songs do their business and
move along
rather than settling down for 14-minute jam camp-outs. They may be
mysterious,
but they don't take undue advantage of their listeners.
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