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Loren MazzaCane Connors / Evangeline / Road Cone (CD)
Evangeline is a 30-minute "tone poem" (for lack of a better word)
portraying the famous Acadian folk story of a woman who scours North
America to relocate her long lost love. Loren MazzaCane Connors'
understated, "avant-blues" guitar is a subtle story-teller at best, but it
isn't the details of the story that matter (although they are
included in the liner notes if curiosity prevails). What matters is the
intense loneliness that is the essence of the story, which is wonderfully
expressed by the music. Listen to the haunting track "Bridegroom of the
Snow" as it moans and croons and you'll start to feel the meaning of
Evangeline. -- nw
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Pulp / Countdown -- 1992 - 1983 / Velvel (CD)
If you love Pulp, this double-disc "old stuff" compilation is
pretty well essential to your ongoing happiness. If you're indifferent
to Pulp, there's fair evidence here that they're entitled to more attention
than you've given them. If you hate Pulp, cringe at the mention of
Jarvis Cocker, etc., then you've already stopped reading and there's no
point in trying to convince you that these discs are quite enjoyable
listening and that Pulp's pre-UK-hit albums sported quite a few
gems...but we're going to say it anyway. -- gz
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The Make-Up / Lung Leg / s/t / Vesuvius/Southern (7")
The Make-Up take a deviating path on "Pow! To the People" with a
moderately paced tempo and vocals that border on the other side of
soulful, 70's infused R&B. It's less punchy than other offerings, but the trademark Svenonius screeching falsetto-cum-gospel keyboard and bass
lines still dot the vinylscape. The multi-faceted Lung Leg offer their all-female revue of tuneful garage pop, along the lines of fellow
Scots Bis. They're catchy, they've got a schtick, they expect world
domination and they upstage The Make-Up big time with this ditty. The
masses speak: More Lung Leg! More Lung Leg! -- am
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Various Artists / Dim View of the Future / Hollows Hill (CD)
Looking for the state of the art in stateside Goth? Look no further than
this comp, which should fill the needs of the dressed-in-black legions
everywhere. From the post-Sisters gloom of Apocalypse Theatre
to the near-folk of Shadow Project to the churning Ogresque sounds of
Confession of Faith, there's something for everyone here. Well, not
for elderly grandmothers or Southern Baptists, perhaps, but fans of
the genre will find much to enjoy. -- gz
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Lackluster / That's What You Get / Short Bus (CD)
Baltimore area college rock with a musical locus of lead vocalist Erin
Frisby's slightly bratty, slight whiny yet seductively inviting voice,
Lackluster filter elements of The Smiths, Nina Hagen and 80's era indie
rock and blend them into smooth, 90's-style radio friendly tunes. Frisby's frisky voice and stimulating lyrics turn
several songs ("Sticky," "Mere Things" and "Bridge") into entertaining
ditties. A little repetitive overall, but there are several
promising tunes for the pop afficionado. -- am
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Stereophonic Space Sound Unlimited / The Fluid Soundbox / Mai Tai (CD)
A vast assortment of distinctly sixties audio scifi lounge kitsch is
rendered anew for discriminating listeners to the fluid soundbox.
Whether it's organ-driven jams like "The Wobbler", sultry guitar
numbers such as "Love Goddess" or way-out stress-outs a la "Theme
From Stella Interstellar", you'll find yourself sucked into the world of
Stereophonic Space Sound Unlimited. It's not easy to escape. -- gz
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Rev / Confessions of a Go-Go Dancer / Rev (CD)
Rev's semi-technofied hard rock sound drops somewhere between My Life With the
Thrill Kill Kult and White Zombie (in Luddite incarnations), with moments of NINness here and there. It's crunchy
and gritty,
and in general makes for a pretty enervating listen, though no single song is more memorable than any other. I'd like to hear more from these folks, though. -- gz
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Smoke City / Underwater Love / Jive (CD)
Fans of Euro-style trip-hop will enjoy the eight mixes of this mid-tempo track -- you get everything from the basic radio edit to drum and bass and Latin mixes, as well as the typical instrumentals for padding. Few of the remixes manage to capture the reggae-like, loping charm of the original version, but isn't that always the case? -- gz
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